“...glimmering melodies presented in scruffy production like sparkling white trainers deliberately battered and dirtied to make them seem more lived in.”

“This is a strong debut from Nate Harar, who combines intimacy and attention to detail with a genuine sense of melody and an occasional tendency to rock out.”

“Dalton is the scrappy and energetic indie rock of Brooklyn’s Nate Harar who seems determined to convince us that indie rock isn’t dead just yet... [b]ut what really gets me with Dalton is how effortless it all seems which makes it all that effortless to listen to.”

“Dalton is something of a triumph for its creator.”

“Glorious, joyous melodies delivered in a raw, unkempt fashion, ...there’s a raw sensibility here which can’t be faked.”

“... you’re left on tenterhooks, clamouring for more.”

“...it’s like shoegaze-meets-classic-90′s indie rock with a singer who could have been a star in the 70s folk scene. YEAH!”

“A dependable, rugged but deeply engaging collection of songs, it never once pauses to question itself or its motives and, in doing so, delivers a hefty, melodramatic blow to the senses that will stay with you for you days.”

“The 90s inspired guitar rocker has a gritty, passionate styling about it that sold me right from the get-go. Dalton serves as a reminder that indie rock won’t die as long as you take the time to search for the good stuff.”

“Nate Harar is the singular force behind Brooklyn band Dalton. What he created is low-fi pop at its best.”

“...on his self-titled EP [Dalton] finds our young hero playing in a sandbox frequented by the likes of David Bowie and Peter Gabriel ...Certainly not a bad place to start one’s career.”

“This is the scrappy, thrown together energy of Brooklyn’s native son... [w]e are looking forward to a full release, but if the two tracks up on his Bandcamp are an indication of things to come… we can’t wait to play in this warm-weather sandbox.”